- Falling for Fall Out Boy
Fall Out Boy's appearances in Singapore have all been rather timely.
Their last visit, in March 2007, took place soon after the band's platinum album Infinity on High was released. Playing to a packed hall, their hyper performance left the mostly teenage audience wanting more. Two years later, the rock group from Illinois is back - barely two months since the release of their new album, Folie A Deux.
Folie A Deux, which translates from the French as "madness shared by two", refers to a rare psychiatric syndrome in which a symptom is transmitted from one individual to another. But on February 10 at the Singapore Indoor Stadium, the madness was passed among 4,000 audience members (mostly teens), who flocked to see the quartet, consisting of 24-year-old Patrick Stump on vocals and guitar, 29-year-old bassist Peter Wentz, 28-year-old drummer Andy Hurley and 24-year-old guitarist Joe Trohman.
An opening act by fellow American band, Hey Monday, warmed up the stage for the main performance. Although the voice of frontwoman Cassadee Pope was unstable and most of the time drowned by the drums and guitars, they seemed to keep the crowd happy.
At 9 p.m., all hell broke loose: The audience screamed their lungs out as Fall Out Boy kicked off the show with a 2007 hit from Infinity on High, "Thnks fr the Mmrs". The second song, "Thriller", was taken from the same album.
Next they gave the crowd an older tune, "A Little Less 16 Candles, A Little More `Touch Me'" from the band's 2005 record From Under the Cork Tree.
Three back-to-back hits - "Sugar, We're Goin Down", "This Ain't a Scene, It's an Arms Race", and new single "I Don't Care" - sent the temperature and the decibels rising.
While it was mayhem in the standing area, chaperoning moms and dads sat quietly on the bleachers, occasionally nodding their heads and tapping their feet.
The band, known to perform famous renditions during their concerts, included in the night's song line-up Michael Jackson's "Beat it" and a surprising-but-nice take on Estelle's R&B number, "American Boy".
The boys are clearly not into lavish stage decor. The barren black stage was pretty much filled with the drum set, microphones and lighting stands. An enormous black backdrop with the band's name in white was the only stand-out decoration from the audience's view.
They did use some impressive lighting during "I Don't Care" - the whole stage went pitch black with only blinking LED lights on the band's guitars and bass on, having the effect of making the guitars look like heroes.
Although some of the audience members who were standing complained of a poor sound system, from the bleachers the band sounded neat. Patrick Stump's strong vocals and his mean solo guitar segment on "The Take Over, the Breaks Over" came through strongly. Although he did most of the singing, it was bassist Peter Wentz who did most of the talking.
New dad Wentz, who made a great contribution to the popularity of "guyliner" (as in eyeliner for guys), greeted the audience in between songs, asked them to shout "Welcome to Singapore" to their camera crew on stage, dished out some life advice ("school is cool, guys") and at one point read out a note handed by an audience member to promote his band.
He also performed his signature 360-degree jumping twirls across the stage several times. At the end of the show, he moshed into the audience and came out with his jeans halfway down his boxers.
Drummer Andy Hurley, comfortably engrossed in his playing, was drumming away barefooted and bare-chested, showing the top half of his body covered in tattoos. Guitarist Joe Trohman was rocking in his own world with his crazy curls covering his face as he jumped around the stage.
Sixteen songs and 70 minutes later the boys ended the show with "Saturday" from their 2003 album Take This to Your Grave.
While their music is widely labeled pop punk, they're often described as an "emo" band, and an influential one, too.
This much is true - just ask the groups of teenagers who showed up at their gig dressed all in black outfits with incredibly skinny jeans and their hair covering half their faces.
http://old.thejakartapost.com/detailfeatures.asp?fileid=20090221.Y02&irec=1
Labels: fall out boy, news
- Lil Wayne to Duet With Fall Out Boy in Upcoming Rock Album Rapper Lil Wayne will enter recording booth with alternative rock band Fall Out Boy and make a collaboration with the Patrick Stump-fronted band for his upcoming rock-themed album "REBIRTH". Unfortunately, the title of their duet track has yet to be disclosed.
Wayne's duet with Fall Out Boy in "REBIRTH" will not be his first joint forces with the band as he has previously done several projects with them. He was featured in the band's single "Tiffany Blews" from their latest album "Folie a Deux". He also did a remix to the group's 2007 song "This Ain't a Scene, It's an Arms Race" and shared stage with them at 2007 MTV Video Music Awards.
Lil Wayne will not drop "REBIRTH" across U.S. until May 19. In the meantime, he is ready to once again rock U.S. as he has added more dates for his national "I Am Music" roadshow with T-Pain, Keri Hilson, Gym Class Heroes and Gorilla Zoe as his guest stars.
http://www.aceshowbiz.com/news/view/00022212.htmlLabels: fall out boy, news
- Fall Out Boy: "Folie à Deux" The members of Fall Out Boy are no strangers to the spotlight, and, as they demonstrate on their fifth studio album, "Folie à Deux," they really don't mind. Nowhere on the album is this fact more obvious than when Patrick Stump sings, "I don't care what you say as long as it's about me," in the first single, "I Don't Care."
Even with this dose of blatant narcissism, it's hard to know when, exactly, to take Fall Out Boy seriously. Bassist and lyricist for the band Pete Wentz has always had a tongue-in-cheek quality to his words, but there has always been an impression that he was having too much fun to be taken entirely seriously. It used to be one of the band's most alluring qualities - that, for the most part, they just looked like four, painfully normal guys from Chicago who just kind of happened to befriend Jay-Z and go on to sell millions of records.
But with Wentz's tabloid-magnet of a wife and his being the subject of many PerezHilton.com posts, it's possible the lyrics are becoming more of a reality than ever. After all, how many self-involved lyrics does a band have to sing before they finally start to hold some semblance of truth in them?
In true celebrity status, a collage of Fall Out Boy's pop-punk contemporaries mash up previous FOB singles, from "Dance, Dance" to "Sugar We're Going Down," on one of the best achievements of the record, "What a Catch, Donnie." Even new-wave legend Elvis Costello pitches in an acceptable, but awkward, refrain. Lil' Wayne and even Debbie Harry also lend vocals to the album.
Although it's by no means a distant departure from their last release, "Infinity On High," in typical Fall Out Boy fashion, "Folie à Deux" is brimming with hooks and performed with the band's usual razor-sharp, snarky perfection. Stump's distinct tenor is at its best on "Coffee's for Closers," when he reaches for stratospheric ranges. It's more apparent on this album that with each additional release, Stump's voice has grown increasingly soulful: if emo is truly the music of emotion, what better timbre to sing it with than Rhythm and Blues?
Unfortunately, as is the case with most Fall Out Boy records, "Folie à Deux" starts out impeccably strong and gradually loses steam before finally simmering out. Cuts like "27" and "W.A.M.S." are largely forgettable and might have been better off being cut from the album.
Fall Out Boy is undeniably a master of pop hooks, and the band has proven again that it remains relevant today and even has a few tricks up the sleeve. Pay special attention to the opening track of "Folie à Deux" … the opening lines of the song may not be the first of the album. At least some credit must be given to the band for still making it fun to actually buy a CD and even be surprised in doing so.
http://media.www.spectatornews.com/media/storage/paper218/news/2009/02/19/Scene/Fall-Out.Boy.folie.Deux-3637404.shtmlLabels: fall out boy, folie a deux, news
- Fall Out Boy's Patrick Stump Worried About Dong! While on their massive sell-out tour of Australia, Fall Out Boy's Patrick Stump took some time out of the band's busy schedule to kick back for a chat with take40.com!
During the chat, Patrick expressed a peculiar concern exclusively to Take 40 about his accommodation in Melbourne while on the current tour...
"In the bathroom there's nothing between the shower and the window, I'm sure people in the street could totally see my dong".
That, my friends is the very definition of too much information.
Check out the actual quote from Patrick... er... Stump here:
http://www.take40.com/news/15573/fall-out-boy%27s-patrick-stump-worried-about-dong!Labels: fall out boy, news
- Fall Out Boy gig at Adelaide Entertainment Centre
ILLINOIS rockers Fall Out Boy shook free the group's inappropriate "emo" tag last night in Adelaide, putting on a commanding rock show to the overwhelmingly junior audience.
Supports Hey Monday and The All American Rejects – despite their second string roles – held the young audience’s attention throughout the short and sharp sets, before the Fall Out Boy banner dropped and the lights were dimmed.
A deafening pre-pubescent scream, memorable of The Beatle’s Ed Sullivan performances, rang out through Hindmarsh as the band leapt straight into “Thnks fr the Mmrs”.
The band’s light show was very minimal as the American youngsters span, danced and twirled through hits of its latest CD “Folie à Deux“.
Estelle’s hit “American Boy” made a brief cameo before the anthemic “Sugar We’re Going Down” exploded through the speakers.
Wentz and co. then threw in their atrocious cover of Michael Jackson’s “Beat It” conveniently finishing before Eddy Van Halen’s trademark solo – if you’re going to honour another artist – at least play the full song – heck I can even do the solo on hard on Guitar Hero!
The production values may have been lacking from last night’s performance (apart from the strobe light guitars that appeared for three minutes) but the band’s sound was all but perfect.
Frontman Patrick Stump’s vocals – the most enjoyable aspect of the band remained the night’s centrepiece along with the powerful fretwork of Joe Trohman but we didn’t hear so much as a peep out of the two which for a band this size was mind boggling.
Pete Wentz, the band’s pin up spokesman did most of the chin wagging much to the tween’s delight – even throwing in a few Twilight references.
But by 10:15 the night felt like it passed all too quickly.
There were plenty of omissions from the set list including I’m Like a Lawyer with the Way I’m Always Trying to Get You Off (Me & You) and The Take Over, the Breaks Over.
It was a lacklustre encore.
The band were on stage for little more than and hour and 10 minutes.
Fall Out Boy were tight, reasonably entertaining and produced a great sound but for $87.90 ticket you would expect a band of this calibre to give the kids that are paying for their careers – a value for money show.
http://www.news.com.au/adelaidenow/story/0,22606,25072812-5012985,00.htmlLabels: fall out boy, news
- Pete Wentz Rocks Out In Perth
Fall Out Boy hit up Perth on tour to perform for their fans in Australia and here's Pete Wentz sitting outside the airport, possibly whispering international sweet nothings to his wifey Ashlee Simpson.
The emo rocker is well-known for his wacky sense of style and his outfit here is no exception. He's got his trusty skinny jeans and hoodie sweatshirt. Topping off the look is his Louis Vuitton backpack and some red shades.
But don't be fooled, it costs a lot of money to look this casual.
http://socialitelife.celebuzz.com/archive/2009/02/17/pete_wentz_rocks_out_in_perth.php - Fall Out Boy: Heading for the big time
THREE thousand or so kids screamed "Welcome to Perth" into the camera right on cue: Fall Out Boy were filming this moment of audience participation for a documentary about their latest tour, presumably cataloguing their planned rise to world domination.
The sparse black and white stage - consisting of a backdrop with the band's name, a drum riser and three microphones - spoke of this near-naked ambition. It looks like it's built to be seen from the back of a massive stadium, as do the guitars inlaid with lights, shown to great effect on what bassist Pete Wentz described as their "brand new hit single'', I Don't Care.
Their slick new album Folie a Deux indicates that they think they're ready for the really big time but before making that step they need to get their house in order.
It was the second time in 18 months that Fall Out Boy have played Perth's Challenge Stadium and they still haven't got the sound right on Patrick Stump's vocals. The rest of the mix was pretty good but leaving the singer to fight to be heard above the dim was annoying. They have enough catchy shout-along songs but fans pay to hear the singer not the audience singing them.
Wentz had no trouble being heard in his lengthy between-song banter. He was the undisputed star of the show, wearing a thick jacket when everyone else in the oversized gym was sweltering in T-shirts. The girls squealed with his every move; he's worth his weight in non-threatening, tough-guy attitude.
The set list focused on the band's two latest albums, Infinity on High and Folie a Deux, but the four-piece also found time to rifle through their back pages and perform the amusingly-titled song, I Slept With Someone In Fall Out Boy And All I Got Was a Stupid Song Written About Me.
They also ripped into their hard rocking version of Beat It and an agreeably funky reworking of Estelle's American Boy. The thundering This Ain't a Scene, It's An Arms Race shone out among all that surrounds it and if they never better it, Fall Out Boy have added at least one classic to the pop pantheon.
Overall, though, at a time when they should be great every night, Fall Out Boy were merely OK. Nothing more and certainly nothing you'd want to watch on DVD.
Fall Out Boy. Challenge Stadium, Perth, February 15. Adelaide Entertainment Centre, Tuesday; Rod Laver Arena, Melbourne, Wednesday; Brisbane Entertainment Centre, Friday; Acer Arena Sydney, Saturday. Tickets: $85-$86. Bookings: 132 849.
http://www.theaustralian.news.com.au/story/0,25197,25062497-5013575,00.htmlLabels: fall out boy, news
- Breaking & Entering: Hey Monday Cassadee Pope may be barely out of high school, but the teenage siren and her band Hey Monday are already touring with one of modern rock's biggest acts, Fall Out Boy.
Much like that group, Pope says that their fans were the inspiration for the band’s name. In response to a bulletin posted on Friendsorenemies.com, fans sent potential monikers to the Hey Monday email account.
“This girl Hilary sent the name ‘Hey Monday’, and we picked that because we liked it the most,” says Pope. “It could mean a lot of things. It’s the beginning of a new week, a lot of people have a bad outlook on Mondays, but it could bring you a lot of good things.”
Hey Monday will continue bringing their "good thing" on tour with FOB through April, after which the both bands will join Metro Station, All Time Low and Cobra Starship for the Believers Never Die Part Deux tour around the United States and Canada.
Prior to the record deal and major tours, Hey Monday started out as a bunch of post-high school students jamming together in their local Florida music community. From the ashes of various local bands, Pope joined up with guitarists Mike Gentile and Alex Lipshaw, bassist Jersey Moriarty and drummer Elliot James to form the power-pop quintet.
Hey Monday signed with Columbia in April of 2008 after handing off old demos to an A&R rep at the Atlanta Music Conference. Just a few months later, its debut album “Hold on Tight” -- a collaborative venture between Columbia and Decaydence Records -- was ready for release.
The album is a rollercoaster of Pope’s infectious vocals and upbeat rhythms, with a track list that any teenager would find relatable. “Homecoming,” the first single off of the record, was featured on the Fall Out Boy curated Citizens For Our Betterment mixtape in August 2008. The next single, complete with a new music video, will be “How You Love Me Now,” but Pope is excited to promote empowering pop-punk anthem "Should’ve Tried Harder."
“I wrote that song in six months for myself,” says the 19-year-old singer-songwriter. “I’m really proud of it in a sense, because I wrote it acoustic and it ended up being so much more than I expected.”
With no signs of momentum ceasing anytime soon, one should certainly expect Hey Monday to exceed expectations. The troupe has already started writing its sophomore set.
“We want to go a little heavier with the next album, but nothing too crazy,” Pope says. “Every band out there wants their next album to be better than the last, so that’s definitely what we want for sure.”
http://www.billboard.com/bbcom/breakenter/index.jsp?JSESSIONID=pwmLJJfGwQbbpPV21GvbTLjhlgJc1x9ZlLztnqcrJ0byY2J13wm2!-467228989Labels: fall out boy, news, tour
- Know Your Stump: How Fall Out Boy’s Frontman and the Westminster Winner Stack Up
This morning a lot of rock fans woke up with some confusing headlines in their RSS feeds: Somebody named Stump had suddenly shot to stardom. But it wasn’t Fall Out Boy frontman Patrick Stump, but Stump the spaniel, who became the oldest canine in history to win the prestigious Westminster Dog Show. So how can you tell Stump the pup from Stump the singer? A quick guide:
Pedigree:
Patrick Stump: 24-year-old from Glenville, Illinois (born Patrick Martin Stumph)
Stump: 10-year-old Sussex Spaniel from Houston, Texas (born Ch. Clussexx Three D Grinchy Glee)Attention-Hogging Colleague:
Patrick Stump: Pete Wentz
Stump: J. R., a bichon frisé who won Best in Show at Westminster in 2001 with Stump’s handler, Scott SommerReview of Peter Tosh’s The Ultimate Peter Tosh Experience:
Patrick Stump: “If Bob Marley was reggae’s Bob Dylan, Peter Tosh was its MC5: less accessible, more cocky and a whole hell of a lot more dangerous.”
Stump: “Woof.”Played Madison Square Garden?
Patrick Stump: FOB’s last performance there was November 14, 2007 on the Young Wild Things Tour
Stump: Won the Westminster there on TuesdayDistinctive Physical Attributes:
Patrick Stump: Floppy hat, slow gait, strawberry-blond coloring
Stump: Floppy ears, slow gait, golden-red coloringSignature Trick:
Patrick Stump: Collaborating with R&B stars
Stump: Standing on his hind legs and beggingAppearance on the Today Show:
Patrick Stump: Performed “Thnks fr th Mmrs” and “This Ain’t a Scene, It’s an Arms Race” a bit off-key in a bizarre garbage-bag-like coat.
Stump: Panted and looked droopy on the couch in front of Meredith and Matt. “His coat looked great,” Sommers said.What’s Next:
Patrick Stump: FOB’s Believers Never Die Part Deux tour
Stump: Going back into retirementLabels: fall out boy, news
- Folie a Deux
It’s hard to believe Fall Out Boy has reached a fifth studio album.
Now, with the release of “Folie a Deux,” the Illinois quartet is no longer an underground act or a secret weapon in every emo kid’s arsenal.
The band members now are full-time rocky, pop stars. They are working with Gym Class Heroes, Lil’ Wayne, Pharrell Williams and even Elvis Costello.
Not to mention, they have one catchy song writer, Pete Wentz.
Fall Out Boy definitely knows how to get your toes tapping with its cute guitar riffs and bellowing nonsensical vocals.
Throughout the album, the band’s bubble gum punk sound shines through, but tracks like “America’s Suitehearts” display harmonizing vocals that shine through.
This album’s focus seems to be very tongue-and-cheek about the pitfalls of fame with tracks like “Disloyal Order Of Water Buffaloes” and “The (Shipped) Gold Standard.”
Although Fall Out Boy is hitting the big time and making friends with such big names, the album might leave fans wondering what happened to their old Fall Out Boy.
http://ocolly.com/2009/02/10/folie-a-deux/Labels: fall out boy, folie a deux, news
- Interested in seeing Fall Out Boy? Great -- perhaps you might want to spend more for one of two VIP packages available (more options!), which promise early entry and access to the band, including an autographed lithograph. The full VIP package goes for $150. The early entry VIP goes for $125.
The latter doesn't include a punk rockin' meet and greet, but you're in the venue and in position before the pesky rock 'n' roll riff-raff with their $40 general admission tickets. And Fall Out Boy is on the low end of the spectrum; these VIP packages are pushing $500 for Britney Spears' Staples Center date.
http://latimesblogs.latimes.com/music_blog/2009/02/the-day-the-mus.html
Labels: fall out boy, news
- Fall Out Boy Offer Metallic Take on “The Simpsons” Theme
Fall Out Boy have become the latest rockers to take on the iconic Simpsons theme for an episode of the animated series. You can check out FOB’s metal-y version of the Simpsons theme on the FOX site now. “This is something we grew up with,” guitarist Joe Trohman said in an behind-the-scenes video (watch it above). “I know for me, my sense of humor and the way I perceive humor and the way I perceive a lot of things was based on growing up and watching The Simpsons, so to be a part of this for me is legendary.” Adds Patrick Stump, “[The theme] was timeless, and that was the point.”
It’s fitting that the band has adapted the Simpsons theme, considering the long-running series is responsible for giving the band their name. You may recall “Fallout Boy” is the sidekick of the series’ in-house Arnold Schwarzenegger-esque comic book superhero, Radioactive Man, and was memorably played by a moody Milhouse in a 1995 episode of the show that featured the classic line “My eyes … the goggles do nothing!” The band’s version of the theme premiered on the January 25th episode, titled “Lisa the Drama Queen.”
Fall Out Boy aren’t the first band to cover the Danny Elfman-penned theme — or guest on the show (see: Rockers on The Simpsons). Yo La Tengo performed a “psychedelic” version, while Sonic Youth’s grunged-out rendition appears at the end of that episode when Homer goes to “Hullapalooza” (and Smashing Pumpkins buy fur coats). Tito Puente, NRBQ and Los Lobos have also performed the theme song. And Green Day memorably gave the song a punky edge for The Simpsons Movie.
In other FOB news, Pete Wentz told MTV News the inspiration behind the band’s upcoming “America’s Suitehearts” video is the 1988 half-live action/half-cartoon Who Framed Roger Rabbit? So we imagine it’ll be both cartoon and live action. Roger Rabbit joins a laundry list of films like Sixteen Candles and The Nightmare Before Christmas that served as inspiration for Fall Out Boy videos.
source [ rollingstone.com ]
Labels: fall out boy, news
- Rolling Stone’s New Critic: Fall Out Boy’s Patrick Stump Fall Out Boy frontman Patrick Stump has been in Rolling Stone before — he’s even been on our cover. But the Sean Penn issue hitting newsstands today marks the first time the singer-guitarist has written for the magazine: Yes, Stump reviewed the forthcoming CD/DVD The Ultimate Peter Tosh Experience under the byline P.V. Stump for Issue 1072.
“It’s insane to say, but I never planned on being a singer,” Stump tells Rolling Stone. “The thing I really wanted to do was write about music; it’s what I planned on doing when I went to college.” Stump says he grew up with a subscription to Rolling Stone and spent hours listening to radio shows hosted by Chicago critics Greg Kot and Jim DeRogatis.
When Stump visited our offices late last year, he confessed he’d always wanted to review albums for RS — so we put him to work. Why Peter Tosh? “I had a huge ska and reggae phase in junior high, so he’s always been a background character in my study of music,” Stump says. In his four-star review, Stump writes, “If Bob Marley was reggae’s Bob Dylan, Peter Tosh was its MC5: less accessible, more cocky and a whole hell of a lot more dangerous.”
Even though Stump is currently overseas with Fall Out Boy and the band will be hitting the road Stateside in the coming months, he’s already got his next assignment.
source [ rollingstone.com ]Labels: fall out boy, news
- Fall Out Boy Get Bamboozled
Irvine, Calif. and East Rutherford, N.J. will be overtaken by pop-punk and emo when the Bamboozle Left and The Bamboozle festivals hit those respective cities in April and May.
Fall Out Boy will headline a day at both festivals, which will also feature performances from the recently reunited Get Up Kids, Silverstein, Bloodhound Gang and others. Deftones (without bassist Chi Cheng), 50 Cent, The Used and Thrice will also play Bamboozle Left, while The Bamboozle will include performances from No Doubt, Third Eye Blind, Gavin Rossdale, Billy Talent, Sum 41 and others. More acts for both festivals will be announced shortly.
The Bamboozle Left festival will be held on April 4 and 5 at Irvine's Verizon Wireless Amphitheatre. Single day passes can be purchased through the Bamboozle Left website for $47.50 U.S. (about $56 Canadian). Two-day passes are also available for $90, while VIP passes will run you $179.
The Bamboozle fest will take place on May 2 and 3 at East Rutherford's Meadowlands Sports Complex. You can buy single day passes for $57, two-day passes for $104 and three-day passes (which include the May 1 Hoodwink Festival) for $116 through the festival's website. VIP passes are already sold-out.Here are the acts playing this year's Bamboozle Left festival:
April 4:
Fall Out Boy
The Get Up Kids
Metro Station
Cobra Starship
All Time Low
Before Their Eyes
Blessthefall
Bloodhound Gang
Brokencyde
Danger Radio
Forever The Sickest Kids
Haste The Day
Hollywood Undead
Hypercrush
Lazr Tag
Mercy Mercedes
Mychildren Mybride
Never Shout Never
Parkway Drive
Peachcake
Razia's Shadow as performed by Forgive Durden
Senses Fail
Silverstein
Sing It Loud
Sonny
Stick To Your Guns
Teen Hearts
The Cab
The Scene Aesthetic
Ultraviolet Sound
We The Kings
April 5:
50 Cent
Deftones
Taking Back Sunday
The Used
Thrice
A Skylit Drive
Attack Attack
Brave Citizens
Chronic Future
Closure In Moscow
Emmure
Fifteen Fleeting
Have Heart
I Am Ghost
Ignite
Kevin Seconds
LMFAO
Nations Afire
Saosin
Shwayze
Suicide Silence
The Bled
The Bronx
Underneath The Gun
Winds Of PlagueHere are the acts playing this year's Hoodwink Festival:
Badfish (performing the music of Sublime)
New Found Glory (performing the music of Green Day)
Mercy Mercedes (performing the music of Eve 6)
We The Kings (performing the music of Jimmy Eat World)Here are the acts playing this year's Bamboozle festival:
May 2:
Fall Out Boy
Third Eye Blind
The Get Up Kids
Cobra Starship
All Time Low
Metro Station
New Found Glory
All The Day Holiday
Artist Vs. Poet
Bayside
Before Their Eyes
Bloodhound Gang
Boys Like Girls
Cage The Elephant
Cartel
Cash Cash
Danger Radio
Edna's Goldfish
Fighting With Wire
Forever The Sickest Kids
Gavin Rossdale
Gwar
Hey Monday
HorrorPops
Hyper Crush
Innerpartysystem
International Superheroes Of Hardcore
KSM
Lydia
Mercy Merceds
Mychildren Mybride
Never Shout Never
Our Last Night
Parkway Drive
Razia's Shadow as performed by Forgive Durden
Set Your Goals
Sing It Loud
Sparks The Rescue
Stick To Your Guns
The Cab
The Friday Night Boys
The Morning Light
We The Kings
When DIstance Falls
May 3:
No Doubt
Taking Back Sunday
Rise Against
Face To Face
Sum 41
3Oh!3
A Rocket To The Moon
Ace Enders And A Million Different People
Attack Attack
August Burns Red
Billy Talent
Blessthefall
Brokencyde
Closure In Moscow
Dance Gavin Dance
Demi Lovato
Enter Shikari
Every Avenue
Family Force 5
Gwen Stacey
Honor Society
Locksley
Mac Lethal
Motionless In White
Now, Now Every Children
Outbreak
Owl City
Push Play
Reign Supreme
Scotty Don't
Silverstein
Sonny
Suicide Silence
Swimming With Dolphins
The Acacia Strain
The Ataris
The Bigger Lights
The Maine
The Mongoloids
Thee Armada
There For Tomorrow
This Is Hell
Tinted Windows
Ultraviolet Sound
Valencia
Versa Emerge
Vision Of Disordersource [ chartattack.com ]
Labels: fall out boy, news
